SPRING 2023

Washington Concert Opera

Abdallo in NABUCCO

March 4, 2023

Verdi’s third opera, NABUCCO was considered to be a masterpiece as well as the first patriotic opera of its time. While La Scala only planned on eight performances for its premiere, they went on to present it 57 times in just three months due to its roaring reception (which is still the record). Among the many recognizable arias and duets throughout Verdi’s operas, this one, set in Jerusalem and Babylon in the 500s BC, holds what might be the most famous chorus tune ever written (“Va, pensiero”). The piece later became an important Italian anthem.

Baritone Lester Lynch returns to the WCO stage to portray the father and Babylonian King Nabucco (Nebuchadnezzar II) alongside soprano Alexandra Loutsion as Abigaille. Bass Peter Volpe also returns to WCO for the first time since 1998 as Zaccaria, and tenor Andres Acosta will make his WCO debut as Ismaele. Additional cast includes Melody Wilson as Fenena, Teresa Perrotta as Anna, Rolando Sanz as Abdallo, and Matthew Scollin as the High Priest.

Learn more >

Photo credit: Kristin Hoebermann

Photo credit: Kristin Hoebermann

Praised by Opera News for his “warm, strong, highly promising tenor," Rolando Sanz is thrilling audiences with his impeccable technique and musical depth, as well as his vocal “color and heartfelt interpretations” (Milwaukee Journal Sentinel). Recent performances include his Metropolitan Opera debut in Mozart's Idomeneo, in a production that was simulcast in cinemas worldwide via Met Live in HD, and Rodolfo in Fairfax Symphony Orchestra’s La bohème. He returned to the Met roster for productions of La traviataSalome, and Fidelio, and made his Michigan Opera Theatre debut as Ragueneau in Cyrano. Following a return to the Spoleto Festival USA as tenor soloist in Beethoven's Choral Fantasy and Mass in C Major, Rolando made his Asheville Symphony and Apollo Orchestra debuts as tenor soloist in Beethoven's 9th Symphony.

Rolando has honed his Italianate tenor of “considerable color and strength” (Baltimore Sun) with roles including Alfredo with Virginia Opera, Florentine Opera, Ash Lawn Opera, and Pacific Symphony, Nemorino in L’elisir d’amore with Florentine Opera and Finger Lakes Opera, Boris in Kát’a Kabanová with Spoleto Festival USA, Rodolfo in La bohème with Palm Beach Opera and Opera Idaho, Paolo in Rachmaninov’s Francesca da Rimini with the Princeton Festival, Arminio in I masnadieri with Washington Concert Opera, Pinkerton (cov) in Madame Butterfly with Opera Theatre of Saint Louis, and Duca di Mantua in Rigoletto with Boston Youth Symphony Orchestra and Annapolis Opera. 

Rolando has displayed his consummate musicianship in concert and oratorio works at the Washington National Cathedral, Aspen Music Festival, and Carnegie Hall in New York City. He is also a strong ambassador of the art song recital. As a resident artist at Songfest, Rolando collaborated with Martin Katz, Graham Johnson, and composer John Harbison. In an upcoming season, he will return to Carnegie Hall to perform the world premiere of a song cycle by composer Ezra Laderman and former United States poet-laureate Robert Pinsky. 

Rolando has been a prizewinner in the Florida Grand Opera/Young Patronesses of the Opera Voice Competition, the Metropolitan Opera National Council Auditions, the Aspen Music Festival Vocal Concerto Competition, and the XIII International Voice Competition in Trujillo, Peru. Most recently, he was awarded the Grand Prize, Conductor Award, and Audience Choice Award at the Annapolis Opera Vocal Competition, 1st place at the Florida Suncoast Opera Guild Competition, and 1st prize at the Marie E. Crump Vocal Competition. Rolando is also proud to have represented his hometown while performing the National Anthem for the nationally televised opening series of the Baltimore Orioles each year since 2012, and as featured soloist in the Maryland State Art Council’s Star-Spangled Spectacular to commemorate the 200th Anniversary of “The Star-Spangled Banner”. 

Rolando is passionately involved with the musical landscape of the Mid-Atlantic region as an educator and producer. He serves as Artistic Director of Young Artists of America, an organization he co-founded with his brother, conductor Kristofer Sanz. YAA was created to provide talented young musicians with exceptional opportunities to be mentored by professional artists, culminating in fully orchestrated performances of large-scale works of opera, musical theater, and oratorio. The YAA production of The Songs of Tim Rice, executive-produced by Rolando, aired on PBS Maryland Public Television and was nominated for three regional Emmy awards. Rolando also served as executive producer for the world premiere of Andrew Lippa's I Am Anne Hutchinson / I Am Harvey Milk, starring Kristin Chenoweth at the Strathmore Music Center.

Rolando is a proud graduate of the Yale University School of Music. 

Photo credit: Kristin Hoebermann

Photo credit: Kristin Hoebermann

Recent Highlights

  • Metropolitan Opera debut in Mozart's Idomeneo under the baton of Maestro James Levine

  • HD simulcast of Idomeneo in cinemas worldwide via Met Live in HD

  • Debut with Michigan Opera Theatre as Ragueneau in Cyrano

  • Return to Met roster for La traviataSalome, and Fidelio

  • Return to Spoleto Festival USA as soloist in Beethoven's Mass in C Major and Choral Fantasy

  • Debut with Asheville Symphony as tenor soloist in Beethoven's 9th Symphony

  • Debut with Apollo Orchestra as tenor soloist in The Armed Man & Beethoven's 9th Symphony

Career Highlights

  • Role debut as Boris in new production of Kát'a Kabanová at Spoleto Festival USA, directed by Garry Hines

  • Carnegie Hall debut as Kostik in world premiere of Prokofiev's Dalëkie Morja

  • While a student at Aspen Festival, performed La traviata under baton of Julius Rudel and Dialogues des Carmélites under James Conlon

Critical Acclaim

  • "Rolando Sanz unfurled a warm, strong, highly promising tenor as would-be ocean explorer Kostik." --Opera News

  • "The strength of the current production lies in the consummate artistry of the two Cuban-American leads: soprano Elizabeth Caballero as Violetta and tenor Rolando Sanz as Alfredo. Both have voices that exhibit a rich, rounded sound that is utterly smooth and mellow... --Stage and Cinema

  • "Rolando Sanz was a warm, tender Alfredo, singing with color and heartfelt interpretations. He brought musical depth to the role..." --Milwaukee Journal Sentinel

  • "As the libertine Duke of Mantua, tenor Rolando Sanz swaggered, seduced, and sang ravishingly. His was an authoritative and imposing presence, and in each of his great arias, his splendid vocal technique enabled him to negotiate Verdi's writing easily -- and make it look like he as having fun, to boot." --The Capital Gazette

  • "Casting the throwaway role of the Notary with a tenor as substantial as Rolando Sanz amounts to a kind of showing off: Few companies can field even one good tenor, let alone two." --The Washington Post

  • "From his soaring and impeccable tenor to his smooth acting and vivid facial expressions, Sanz's performance [as Rodolfo] was flawless and emotionally moving." --Boise Weekly 

Photo courtesy of Baltimore Orioles

Photo courtesy of Baltimore Orioles

Biographical Info

  • Lifelong Marylander, lives near Washington, D.C., with his wife, daughter, and son

  • Artist Diploma and Master of Music in Opera from Yale University

  • Bachelor of Music in Voice Performance from Catholic University of America

  • Trained at Music Academy of the West, Aspen Music Festival, Opera Theatre of Saint Louis, and Palm Beach Opera

  • Founder and Artistic Director of Young Artists of America, which provides talented young musicians with opportunities to be mentored by professional artists

Anecdotes

  • 1st generation Cuban-American

  • Winner of Maryland State Arts Council Star-Spangled Spectacular contest to celebrate 200th Anniversary of "The Star-Spangled Banner"

  • Performed National Anthem for openings series of Baltimore Orioles major league baseball in 2012, 2013, 2014, and 2016

Learn more about Rolando’s performance career